Noises/Caliginem.

Mist, born of void and noise, initially concealed from the observer’s sight, gradually reveals itself, inviting an exploration of its hidden essence. This ethereal haze, emanating from the interplay of black and white grains, has always existed, yet only now comes into focus. The photographic vapour, akin to evaporated water in the chilled atmosphere of the frame, envelops the space, conjuring a cloud wherein the enigma of grain dwells. This creation seeks to encapsulate the intangible, to express the elusive nature of reality, where contrasts and ambiguity emerge as the fundamental components of perception.

Within this haze, boundaries dissolve. Edges blur, time falters, and the familiar is rendered strange. Each grain of distortion becomes a vessel. The image is not merely seen; it is encountered, felt through intuition rather than logic, as if the eye itself must learn to breathe in uncertainty.

What is obscured becomes significant. The spaces between, the silences in tone, the suggestion of form—these become the new subjects. The mist does not conceal but transforms; it reshapes reality into metaphor, substance into suggestion.

Here, vision slows. Attention sharpens. And in the stillness, meaning begins to shimmer—not fixed or declared, but sensed, like a whisper at the edge of hearing.