Dermal Cadence.

The work constitutes an exploration of an organic surface reminiscent of dermal canvas — a living, sensitive membrane wherein visual matter attains an almost corporeal dimension. The undulating motion that permeates the composition serves as the conduit for a fluid rhythm, in which sharp, chaotic fragments interact with neutral, harmonious geometry. This is neither conflict nor subjugation, but the synchronous coexistence of disparate elements, emerging from a spontaneous yet structured interaction.

The surface appears to breathe — gently, almost imperceptibly, in accordance with its own internal pulse. Within this pulsation, one can discern the motif of living tissue, wherein there is neither excess nor hegemony: each element, despite its individuality, is interwoven into a unified system where equilibrium prevails. The demarcation between chaos and order dissipates, yielding a neutral zone — not static, but resolute, where the coexistence of opposites is perceived as the intrinsic state of matter.

The materiality of the piece is manifested through the interplay of textures, densities, and rhythms, conjuring the illusion of movement devoid of direction, respiration without intention, existence without external impetus. The visual language becomes not a mere description but a manifestation of the intrinsic state of form — stable, fluid, and resistant to reductive interpretation.