Plaster Skin.

At the core of the work lies a pseudo-plaster surface constructed as an autonomous system of textures. It is not a mere imitation of a wall, but the materialization of an internal landscape, where diverse textures coexist without hierarchy, chaotically yet cohesively. The surface captures a multitude of conditions: looseness, density, graininess, foamy residues, flaking, clumping.

These elements reject decorative function — each possesses its own “body” and internal logic. Reliefs emerge as tensions between the organic and the artificial, the geological and the dermatological. The pseudo-plaster is not a shell but a medium in which texture becomes the content.

Form arises through layering, rupture, sedimentation, and deliberate instability. A map without scale or direction unfolds — its hills and cavities do not imitate nature but evoke its abstract essence. This is a terrain where matter shapes itself — slowly, heavily, persistently.